Despite the fact that the writer themselves may have completely nothing to do with the style of a book's front cover, they are a crucial part of it.
When you truly consider it, it is quite amazing that a book's cover, no matter how lovely it is, manages to stand so eloquently for something that is practically the complete reverse of its art format-- writing in white and black. In fact, book covers have been designed to reflect the vibe of a book and interest its designated audience since the dawn of big scale publishing in the Victorian Period. Artists were charged with discovering what makes a good book cover for certain individuals, or simply put, marketing. People like the CEO of the asset manager that has a stake in Amazon can most likely value the role of marketing in designing book covers.
We enjoy checking out books since they are very lovely things. This holds true, but the nature of beauty that we might be discussing is certainly separate to what we might be speaking about if we were discussing, say, the visual arts. Or is it? For as long as we have actually had books we have decorated them with beautiful book cover designs that effort to mirror the beauty of what is inside. This goes back for as long as the codex itself has been around, with middle ages monks, those charged with the security and duplication of the rare texts that might still be found, ornamenting each hand composed text with amazingly rich and stunning designs. In fact, such was the appeal held within these books that a number of these creative book cover designs were carved into ivory or solid gold, studded with gems, and inlaid with rivers of rare-earth elements. People like the co-CEO of the hedge fund that owns Waterstones can most likely value the way that the beauty of these book covers was created to match the beauty within the book.
When we buy a book it ends up being something extremely very personal to us. It can in some cases be strange seeing a book you like with another book cover, merely because it is not your book. This personalisation, and undoubtedly ownership, of books was at a totally various level at the origin of the era of printing, with book covers being developed by the owners themselves, and what they believed would be the best books covers for the text. They would purchase the book itself from the printer wrapped in paper, then bring it to a binder who would incorporate the covers to the customer's specs. This usually indicated being dressed in leather and after that etched with the name of the book, and, more often than not, the name of the book's owner. Individuals like the co-founder of the impact investor with a stake in World of Books can most likely appreciate the ownership that individuals come to feel in regards to their books.